Majid Majidi taraf\u0131ndan 1999\u2019da \u00e7ekilen \u201cCennetin Rengi\u201d filmi, k\u00f6r bir \u00e7ocu\u011fun Tanr\u0131, ailesi ve toplumla bir b\u00fct\u00fcn olarak deneyimlediklerini g\u00f6zler \u00f6n\u00fcne seren bir film. Majidi, Orta Do\u011fu ve daha spesifik olarak \u0130ran\u2019\u0131n sosyal yap\u0131s\u0131, k\u00fclt\u00fcrel de\u011ferleri ve ilkelerinin \u00f6nemini g\u00f6sterme konusunda sineman\u0131n sade dilini kullanarak olduk\u00e7a ba\u015far\u0131l\u0131 bir yap\u0131t ortaya koyuyor.<\/p>\n\n\n\n
Majidi, k\u00f6r bir \u00e7ocuk \u00fczerinden bizlerin g\u00f6remedi\u011fi a\u015fk\u0131nl\u0131\u011f\u0131, mecazi bir dil ile bizlere anlat\u0131yor. Cennetin Rengi, kar\u0131s\u0131 vefat etti\u011fi i\u00e7in yeniden evlenmek isteyen ve g\u00f6zleri g\u00f6rmeyen o\u011flunu y\u00fck, eksik, fazlal\u0131k kabul ederek hayat\u0131n\u0131n d\u0131\u015f\u0131na \u00e7\u0131karmak isteyen \u2018baba\u2019n\u0131n kar\u015f\u0131s\u0131nda, Rabbi bulma\/g\u00f6rme \u00fcmidiyle g\u00f6zleri yerine parmaklar\u0131n\u0131 kullanan k\u00f6r bir \u00e7ocu\u011fu anlat\u0131yor. Ayn\u0131 zamanda film \u201ctanr\u0131n\u0131n g\u00f6r\u00fcnmezli\u011fi\u201d meselesini merkezine al\u0131yor. B\u00fct\u00fcn insanl\u0131\u011f\u0131n g\u00f6rmeleri m\u00fcmk\u00fcn olmayan bu hedefe, \u201chakk\u201da y\u00fcr\u00fcmesi, k\u00f6r bir \u00e7ocu\u011fun tanr\u0131n\u0131n rengini aramas\u0131nda, onun, d\u00fcnyan\u0131n \u201c\u015fekli\u201dni alg\u0131lamak i\u00e7in kullanabildi\u011fi tek arac\u0131 olan elleri vas\u0131tas\u0131yla topra\u011f\u0131, a\u011fa\u00e7lar\u0131, canl\u0131lar\u0131 yoklayarak Tanr\u0131\u2019y\u0131 g\u00f6rmeye \u00e7al\u0131\u015fmas\u0131nda v\u00fccut buluyor. Filmde baba ve o\u011ful ikili kar\u015f\u0131tl\u0131klar \u00fczerinden perdeye yans\u0131t\u0131l\u0131yor. Baba, evlenece\u011fi kad\u0131n\u0131n, d\u00fcnyan\u0131n derdindedir, o\u011ful, harf harf kelimelerin, Rabb\u2019inin; baba isyandad\u0131r ya\u015fad\u0131klar\u0131n\u0131 kendine eziyet kabul ederek, acelecidir, o\u011ful teslimiyettedir, ya\u015fad\u0131klar\u0131n\u0131n kendisini bir yere\/Rabb\u2019e ula\u015ft\u0131raca\u011f\u0131n\u0131n \u00fcmidiyle, sab\u0131rl\u0131d\u0131r\u2026 Film boyunca baba-o\u011ful \u00fczerinden yap\u0131lan kar\u015f\u0131tl\u0131klar do\u011fadaki sesler \u00fczerinden de yans\u0131t\u0131l\u0131yor. Babas\u0131 ayn\u0131 ormanda bulundu\u011fu s\u0131rada Muhammed orman\u0131n ne\u015feli, g\u00fczel seslerini duyarken, babas\u0131n\u0131n pes, u\u011fursuz sesler duymas\u0131, ses d\u00fczeyinde kurulan iyi-k\u00f6t\u00fc kar\u015f\u0131tl\u0131\u011f\u0131yla filme \u00e7ok \u015fey kat\u0131yor.<\/p>\n\n\n\n